Δημοσίευσηαπό vallon » 29 Μαρ 2018, 21:56
Tibet believes in mysticism, which derived from several kinds of fields including the realms of religion, philosophy, witchcraft, poetry and paintings. He is always trying to derive inspiration from them, then blends those ideas into his works. Their particular style of music works are closely linked with the mysterious ideas of David Tibet.
When talking about the objects which can make David feel energy as well as acquire inspiration, he initially points out religions. In addition to Christianity, He believes Buddhism as well. David Tibet concentrates on Vajrayana, one school of Tibetan Buddhism. He also regards the Padmasambhava (a famous Buddhist in India. Padmasambhava has a high reputation in the field of Tibetan Buddhism) as his own tutor. The album "Buddhist Monks of the Maitri Vihar Monastery" of Tibet in the year 1997 is essentially a form of paternoster from Tibetan Buddhism. Tibet always keeps modest towards religions no matter which religion it is. He said that one must have a strong faith when one believes a new religion. David has been influenced by the theories of Aleister Crowley (1875–1947, a famous author and mystic in the 20th Century) since he was still ten years old. The influence by Crowley is apparent in many aspects of Current 93's covers, lyrics and themes.[1]
Tibet's lyrical subject matter reflects a consistent preoccupation with all aspects of apocalypse. He has long been a student of Christian eschatology. At a precocious age, he developed a strong interest in Aleister Crowley and the Ordo Templi Orientis. He joined the Typhonian Ordo Templi Orientis and borrowed the term "93 Current", the current of Thelema or Agape, from Crowley. His initial recording as Current 93, LAShTAL, was, according to Tibet, "the invocation of Malkunofath on the Nightside of Eden, the reverse of the Tree of Life". He has long proclaimed a virtual anathema to Crowleyism (despite a strong appreciation for Crowley as an individual) and instead has embraced at various intervals, Tibetan Buddhism and esoteric Christianity. His projects continue to focus on the multifaceted aspects of apocalypse, mainly death, loss and destruction. Progressively, his works are tempered by Christian mysticism and an increasingly strong faith in the end of the world.
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